In the video piece Come One, Eat All (2007), I concoct my own cultural icon as an animated “adult-girl” doll child, whose only objective is to endlessly and tirelessly eat fast food (McDonald’s French fries and Kentucky Fried Chicken) and junk food (Lay’s potato chips, powdered donuts, chocolate bars, and M&Ms) at a frenetic pace, as moving images of amusement park rides sped up considerably cause a mesmerizing and nauseating sensation for the viewer. Along with the creepy soundtrack “Carnival of Souls” by Combustible Edison and screaming noises from the people on the rides, I attempt to convey the vicious cycle of dizzying consumption and the irrepressible nature of overindulgence unnaturally forced upon us by the marketplace. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statue that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Come One, Eat All, 2007, Single-channel video, 04:54

I have concocted my own cultural icon as an animated “adult-girl” doll child, whose only objective is to endlessly and tirelessly eat fast food (McDonald’s French fries and Kentucky Fried Chicken) and junk food (Lay’s potato chips, powdered donuts, chocolate bars, and M&Ms) at a frenetic pace, as moving images of amusement park rides sped up considerably cause a mesmerizing and nauseating sensation for the viewer. Along with the creepy soundtrack “Carnival of Souls” by Combustible Edison and screaming noises from the people on the rides, I attempt to convey the vicious cycle of dizzying consumption and the irrepressible nature of overindulgence unnaturally forced upon us by the marketplace.

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